Photography and Social Media
I’ve always been a bit of a social media hound. You’ve heard me call myself an early adopter. MySpace, Facebook, Twitter.. you know the deal. If you are trying to do something positive for your business, or your craft, you have to be social. I was on Facebook so early, i was literally Facebooked out. [...]
Carty’s ET Canada Profile
(originally from the Hermann & Audrey Blog) BIG CONGRATS to Carty for his recent feature segment on ET Canada. Fashion and celebrity photographer Carty, represented by Hermann & Audrey spoke about his career including highlight sessions with Sandra Oh, Kanye, Pharrell and Kardinal Offishall. ET Canada joined Carty’s shoot for a Studio 54 inspired Rethink [...]
Photographers iPad review after 30 days
I’ve had the iPad for about a month. I picked up a Wi-Fi 32g the day it was released in Canada. I can say I’ve put it through it’s paces for both business and pleasure since the unboxing. Here’s my review. As a laptop replacement, I’ve been very pleased. My previous lappy was an old [...]
Apple vs. Adobe Wars and the Death of Flash
I use Apple products. You could call me an Apple supporter. If I thought that flash was dying just because Jobs says it is, I’d be an idiot. Here are my reasons dropping Flash like I dropped 3rd period french.
Contact Photography Festival, 2010
Featured exhibit: Hermann & Audrey
When: May 7th-29th
Where:Baitshop Gallery 358 Dufferin Street
Suite 117 Toronto, Ontario, M6K 1Z8
Adam ward then and now.
i was Adam Ward’s first photographer. Fast forward 5 years, it was time to shoot again.
Carty Shoots Skam for Contact
I’ve been collaborating with graffiti artists, painters and a flashlight for nearly 5 years. This year i decided to bring it to the Contact festival with my series, Lightworkers.
Amanda Morra
Recently, Carty worked with up and coming Canadian chanteuse Amanda Morra on her first editorial spread for a popular men’s magazine
Angel Eyes
The only constant is change. In this ever changing industry, the moving picture is used to tell the story as often as the still image. For the photographer, it pays to have a delivery of your work as of both the still and the moving.
